Doctorate of Creative Industries Project 1 This blog is a continuation of a series. See here (Page 2016a) for the previous blog. Year 2016: Beginnings Part 1b “I don’t know where I’m going from here, but I promise it won’t be boring” [Bowie 2016]. In January 2016 I embarked on my Project 1 Research Pilot Study:...
Category: CP Session Practice
All things research related – as the participant practitioner – to the development of a creative practitioner’s skills to enhance competence and enjoyment – to learn, to develop, to become a more masterful creative practitioner in one’s creative practice: investigating and interrogating a field or discipline practice, in accordance with accepted robust academic research practice
Doctoral Pilot Study – Part 1a
Doctorate of Creative Industries Project 1 This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Background The topic of my Research Study is entitled: Contemporary DIY Music Practice and the Practitioner Self. Through a first-person narrative of my personal journey, critical reflection and reflexive practice, the co-constituted nature of my...
Critical Listening
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 3a This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2b, Reference Track Analysis (Page, 2015b). Introduction As I introduced in...
Reference Track Analysis
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2b This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2a, Reference Tracks (Page, 2015a). Analytical & Critical Listening task As...
Reference Tracks
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2a This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1c, The 3 Primary Tiers of Active Listening in...
The Three Primary Tiers of Active Listening in Contemporary DIY Music-Making Practice
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1c This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1b, Musicking (Page, 2015b). Introduction In a previous post Part...
Musicking
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1b This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1a, Required skills of a Contemporary Music & Sound-making...
Required skills of a Contemporary Music & Sound-making Practitioner
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1a This blog represents the first in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. (Self-reflection sphere, 2016) Self-learning: the ‘discipline’ required to be a contemporary DIY music practitioner Effective DIY learning requires...