Category: DCI Pilot Study – Bordering the Study

The Pilot Study undertaken as part of Project 1, in order to border my doctoral research study.

The Emergent Doctoral Pilot Study

Audio Industry, CP Reflective & Reflexive Practice, CP Reflective Practice, CP Reflexive Practice, CP Research Practice, CP Session Practice, Creative Practice, Creative Writing, DCI Phase 0 - Starting Point Practice, DCI Phase 1 - Identity-driven Practice, DCI Phase 2 - Value-driven Practice, DCI Phase 3 - Narrative-based Practice, DCI Phase 4 - Embodied Practitioner, DCI Phase 5 – Authentic Practice, DCI Phase 6 - Interpretation, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Industry, Leadership, Learning & Leadership, Learning & Teaching Practice, Personal Development of Self, Reflective Narratives, Research Studies, Self, Social & CulturalLeave a comment

Research Practitioner Series – Part 26 HDR Research Study – Project 1 Abstract The aim of this Doctor of Creative Industries Research Project is to investigate both my DIY music and sound-making practice and my self as a practitioner during the process of creating and producing a cultural artefact (EP).  My research study is designed...

A Developing Perspective

Audio Industry, Audio Theory & Practice, CP Reflective & Reflexive Practice, CP Reflective Practice, CP Reflexive Practice, CP Research Practice, CP Session Practice, Creative Practice, Creative Writing, DCI Phase 0 - Starting Point Practice, DCI Phase 1 - Identity-driven Practice, DCI Phase 2 - Value-driven Practice, DCI Phase 3 - Narrative-based Practice, DCI Phase 4 - Embodied Practitioner, DCI Phase 5 – Authentic Practice, DCI Phase 6 - Interpretation, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Industry, Leadership, Learning & Leadership, Personal Development of Self, Pre-Production, Reflective Narratives, Research Studies, Self, Social & CulturalLeave a comment

Research Practitioner Series – Part 25 HDR Research Study – Project 1 Abstract The aim of this Doctor of Creative Industries Research Project is to investigate both my DIY music and sound-making practice and my self as a practitioner during the process of creating and producing a cultural artefact (EP).  My research study is designed...

Experimental Practice Changes the Approach to Mainstream Music-Production

Audio Industry, Audio Theory & Practice, CP Research Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, HDR Academic Practice, Industry, Production, Research Studies, Social & CulturalLeave a comment

History of Music Production Series – Part 4g This blog is a continuation of a series. See here (Page 2015a) for the previous blog. This blog is a continuation of a series. See here (Page 2016a) for the previous blog. (Maypole 2018a) Mainstream popular music-making practitioners draw on broader lineage Musical hybridity is prevalent in most approaches...

DIY Experimental Practice Influences Large Format Console Studios

Audio Industry, Audio Theory & Practice, CP Research Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, HDR Academic Practice, Industry, Production, Research Studies, Social & CulturalLeave a comment

History of Music Production Series – Part 4e This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (Paul, 2016) Development of production techniques in mainstream popular music-making The making of mainstream popular music has developed exponentially over the past five (5) decades, in terms of musical style, site (creative...

DIY Culture & Music

Audio Industry, Audio Theory & Practice, CP Research Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, HDR Academic Practice, Industry, Production, Research Studies, Social & CulturalLeave a comment

History of Music Production Series – Part 4e This blog is a continuation of a series. For the previous blog, please see The DIY Music-making Practitioner (Page, 2015a). (Musical Styles/Genre 2016) Musical styles (Genre) studies: exemplifying changing practice in music production I provide some examples of contemporary DIY music production practitioners, chosen because of the...

The DIY music-making practitioner

Audio Industry, Audio Theory & Practice, CP Research Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Industry, Leadership, Learning & Leadership, Personal Development of Self, Production, Research Studies, Self, Social & CulturalLeave a comment

History of Music Production Series – Part 4c This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Following substantial technological development from the late 1960s to today, music practice has diversified exponentially in a variety of social and cultural contexts (Wallis 2001; Watson and Shove 2008). Limited access to...

Digital Project Studios become the platform for contemporary DIY music-making?

Audio Industry, Audio Theory & Practice, CP Research Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Industry, Leadership, Learning & Leadership, Personal Development of Self, Production, Research Studies, Self, Social & CulturalLeave a comment

History of Music Production Series – Part 4b This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (MIDAS 2014) This blog is a continuation of a series. See here (Page 2015a) for the previous blog. The changing field of music production Portable Studio With the development of laptops and handheld...

Large Format Console Studios to Digital Project Studios

Audio Industry, Audio Theory & Practice, CP Research Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, HDR Academic Practice, Industry, Production, Research Studies, Social & CulturalLeave a comment

History of Music Production Series – Part 4a This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (Meter 2014) This blog is a continuation of a series. See here (Page 2016) for the previous blog. The changing field of music production Twenty-first century music production exists as a fragmented field...

Critical Listening

Audio Industry, Audio Processing, Audio Theory & Practice, CP Research Practice, CP Session Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Music & Sound Theory & Practice, Music Theory, Personal Development of Self, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 3a This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2b, Reference Track Analysis (Page, 2015b).  Introduction As I introduced in...

Reference Track Analysis

Audio Industry, Audio Processing, Audio Theory & Practice, CP Research Practice, CP Session Practice, Creative Practice, DAW, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Music & Sound Theory & Practice, Music Theory, Personal Development of Self, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2b This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2a, Reference Tracks (Page, 2015a).  Analytical & Critical Listening task As...

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