Category: Listening

All things related to listening. It includes the very broad field of listening, both internal dialogical voice, and the developed skill of listening – interpersonal relationships and industry-based contexts

Microphones Part 13 – Other

Audio Theory & Practice, CP Research Practice, Creative Practice, DAW, DCI Phase 3 - Narrative-based Practice, Holistic, Analytical & Critical Listening, Instrumentation & Arrangement, L&T Session Practice, Learning & Teaching Practice, Microphones, Music & Sound Theory & Practice, Pre-Production, Soundwave & Acoustics TheoryLeave a comment

This blog is a continuation of a series. See here for the previous blog. (AE Project Studio 2015) Current stock My current studio and live microphone stocks a modest range of dynamic microphones, dynamic ribbons, condensers, tubes and contact microphones. The range of microphones include: Shure 57s, 58s, Beta52As & SM7Bs; Electro Voice RE20s; Sennheiser e935s, e945s, e906s &...

Critical Listening

Audio Industry, Audio Processing, Audio Theory & Practice, CP Research Practice, CP Session Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Music & Sound Theory & Practice, Music Theory, Personal Development of Self, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 3a This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2b, Reference Track Analysis (Page, 2015b).  Introduction As I introduced in...

Reference Track Analysis

Audio Industry, Audio Processing, Audio Theory & Practice, CP Research Practice, CP Session Practice, Creative Practice, DAW, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Music & Sound Theory & Practice, Music Theory, Personal Development of Self, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2b This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2a, Reference Tracks (Page, 2015a).  Analytical & Critical Listening task As...

Reference Tracks

Audio Industry, Audio Processing, Audio Theory & Practice, CP Research Practice, CP Session Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Music & Sound Theory & Practice, Music Theory, Personal Development of Self, Post-Production, Pre-Production, Production, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2a This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1c, The 3 Primary Tiers of Active Listening in...

The Three Primary Tiers of Active Listening in Contemporary DIY Music-Making Practice

Audio Industry, CP Research Practice, CP Session Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Project 1 - Contextualising the Study, DCI Project 1+ - Proactively Pursuing Sound, DCI Project 1+ - Proactively Pursuing the Emerging Study, DCI Project-1+ - Proactively Pursuing Meaning-making and Self, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Personal Development of Self, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1c This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1b, Musicking (Page, 2015b).  Introduction In a previous post Part...

Musicking

Alternative Therapies, Audio Industry, Community Projects, CP Research Practice, CP Session Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Project 1 - Contextualising the Study, DCI Project 1+ - Proactively Pursuing Sound, DCI Project 1+ - Proactively Pursuing the Emerging Study, DCI Project-1+ - Proactively Pursuing Meaning-making and Self, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Personal Development of Self, Research Studies, Self, Social & Cultural, Sound HealingLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1b This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1a, Required skills of a Contemporary Music & Sound-making...

Required skills of a Contemporary Music & Sound-making Practitioner

Audio Industry, CP Research Practice, CP Session Practice, Creative Practice, DCI Phase 0 - Starting Point Practice, DCI Pilot Study - Bordering the Study, Extra-Technical/Soft Skills Development, HDR Academic Practice, Holistic, Analytical & Critical Listening, Industry, L&T Session Practice, Leadership, Learning & Leadership, Learning & Teaching Practice, Listening, Music & Sound Theory & Practice, Music Theory, Personal Development of Self, Research Studies, Self, Social & CulturalLeave a comment

Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1a This blog represents the first in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. (Self-reflection sphere, 2016) Self-learning: the ‘discipline’ required to be a contemporary DIY music practitioner Effective DIY learning requires...

Music Practitioner Part 2 – What Brought Me Here #5

CP Reflective & Reflexive Practice, CP Reflective Practice, Creative Practice, Holistic, Analytical & Critical Listening, L&T Session Practice, Learning & Teaching Practice, Social & CulturalLeave a comment

                                       (Australia Post stamp 1998) This blog is a continuation of a series. See here for the previous blog. A significant influence A song that had a significant influence on my music practice in my formative years...

Cultural Production Project Part 3

Audio Theory & Practice, CP Reflective & Reflexive Practice, CP Research Practice, Creative Practice, Holistic, Analytical & Critical Listening, Production, Social & CulturalLeave a comment

“Music is in life. It occurs everywhere – at any moment in time, in every place” (Page 2010) Continuing on from last month’s Cultural Production Project – Part 2 [February 2010], I will focus this month on the actual project of fusing together three musical styles to create a soundscape that expresses myself musically and sonically. Aim...

Cultural Production Project Part 2

Audio Theory & Practice, CP Reflective & Reflexive Practice, CP Research Practice, Creative Practice, Holistic, Analytical & Critical Listening, Production, Social & CulturalLeave a comment

“Music is in life. It occurs everywhere – at any moment in time, in every place” (Page 2010) Continuing on from last month’s Cultural Production Project – Part 1 [January 2010], I will focus this month on a description and analysis of the three musical styles that I am choosing to fuse together in this creative...

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