History of Music Production Series – Part 4b This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (MIDAS 2014) This blog is a continuation of a series. See here (Page 2015a) for the previous blog. The changing field of music production Portable Studio With the development of laptops and handheld...
Learning & Teaching (L&T) Philosophy and Practice Series – Part 3b So now you are on track to develop mastery of one self, what is your approach to education and learning? Layer 7: My approach to educational practice Continuing on from my previous blog in this series (Page, 2015a): as I have indicated in prior blogs “I...
History of Music Production Series – Part 4a This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (Meter 2014) This blog is a continuation of a series. See here (Page 2016) for the previous blog. The changing field of music production Twenty-first century music production exists as a fragmented field...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 3a This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2b, Reference Track Analysis (Page, 2015b). Introduction As I introduced in...
Learning & Teaching (L&T) Philosophy and Practice Series – Part 3a Continuing on from my previous blogs (Page, 2004) in a similar series; I am a practitioner across multiple disciplines. My formal post-compulsory education qualifications include engineering, business, governance, teaching, education and sound production. I have held coal face type positions, project management and consultancy positions,...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2b This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2a, Reference Tracks (Page, 2015a). Analytical & Critical Listening task As...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2a This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1c, The 3 Primary Tiers of Active Listening in...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1c This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1b, Musicking (Page, 2015b). Introduction In a previous post Part...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1b This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1a, Required skills of a Contemporary Music & Sound-making...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1a This blog represents the first in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. (Self-reflection sphere, 2016) Self-learning: the ‘discipline’ required to be a contemporary DIY music practitioner Effective DIY learning requires...