All things western music and world music (and sound) theory, including: rhythm, scales, staves, harmony, melody, improvisation, alternative and extended chords, chord charts, the development of technical skills, and the development of physical skills, which underpin/to advance one’s practice
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 3a This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2b, Reference Track Analysis (Page, 2015b). Introduction As I introduced in...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2b This blog represents the third in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 2a, Reference Tracks (Page, 2015a). Analytical & Critical Listening task As...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 2a This blog represents the second in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. Please refer to my previous blog post for Part 1c, The 3 Primary Tiers of Active Listening in...
Four Tiers of Listening in Contemporary DIY Music & Sound-making Practice Series – Part 1a This blog represents the first in this series, the four (4) tiers of listening required in Contemporary DIY Music & Sound-making Practice. (Self-reflection sphere, 2016) Self-learning: the ‘discipline’ required to be a contemporary DIY music practitioner Effective DIY learning requires...