Phase 0 of my Doctorate of Creative Industries Research Study Holistic Model of Authentic Practice – Starting Point
History of Music Production Series – Part 4g This blog is a continuation of a series. See here (Page 2015a) for the previous blog. This blog is a continuation of a series. See here (Page 2016a) for the previous blog. (Maypole 2018a) Mainstream popular music-making practitioners draw on broader lineage Musical hybridity is prevalent in most approaches...
History of Music Production Series – Part 4e This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (Paul, 2016) Development of production techniques in mainstream popular music-making The making of mainstream popular music has developed exponentially over the past five (5) decades, in terms of musical style, site (creative...
My journey continues…. (Page 2014) This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Year 2015: 2nd Observation Part k As part of the professional doctorate program I had entered, we were inducted into the world of academic research study. Whilst I was a relative open book in terms...
Design of Research Study This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Significance of this research study for the industry, field and discipline The significance of this research can be categorised into three areas: a blended philosophical approach additional to the current academic literature; the expansion of research...
Design of Research Study This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Existing theory and research studies had already been completed within the industry, field and disciplines As part of my preparing for my research study, I investigated a broad range of literature – industry-based text-books, and academic-based...
History of Music Production Series – Part 4e This blog is a continuation of a series. For the previous blog, please see The DIY Music-making Practitioner (Page, 2015a). (Musical Styles/Genre 2016) Musical styles (Genre) studies: exemplifying changing practice in music production I provide some examples of contemporary DIY music production practitioners, chosen because of the...
Standards of effective practice have played an important part in the audio industry, even though these may be challenged by DIY culture and practices. Historically, the music and audio industry’s standards have addressed commercial and technical criteria. In commercial terms a “successful record producer is, by definition, someone who has had multiple hits” (Burgess 1997,...
History of Music Production Series – Part 4c This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Following substantial technological development from the late 1960s to today, music practice has diversified exponentially in a variety of social and cultural contexts (Wallis 2001; Watson and Shove 2008). Limited access to...
My journey continues…. (Page 2014) This blog is a continuation of a series. See here (Page 2015a) for the previous blog. Year 2015: 2nd Observation Part g Bordering my music-making practice As mentioned in the previous blog, I came to understand within the first few months I needed to broadly explore the fields and disciplines of...
History of Music Production Series – Part 4b This blog is a continuation of a series. See here (Page 2015a) for the previous blog. (MIDAS 2014) This blog is a continuation of a series. See here (Page 2015a) for the previous blog. The changing field of music production Portable Studio With the development of laptops and handheld...