This blog continues a series of blogs on Mixing (Page 2014). (MIDAS 2014) As a mix engineer I guess you will receive a tracking session at some point in which you will appraise the instrumental elements of the session as being in need of some work: perhaps some subtle work, or perhaps some extensive work. Options are available to do this by the...
Category: Post-Production
All things audio post-production related: ADR, Foley, Mixing, Mastering
Mixing Part 7 – Following a process….
Mixing This blog continues a series of blogs on Mixing (Page 2014). Developing a skillset by following a process (MIDAS 2014) I was presenting to a group of Bachelor of Audio Trimester 2 students, preparing for the mixing stage of their final creative productions. In reflection, I felt a similar sentiment as my blog last...
Mixing Part 6 – Effectively guiding Creative Artists through a process
Mixing This blog continues a series of blogs on Mixing (Page 2014a). Guiding Creative Artists: steps along a path To walk down any path, it is usual to be sequential in that process. If you want to get to z, it is usual (but not always) appropriate to progress through each of the letters to get there....
Signal Flow Part 2
As developed in last week’s Signal Flow Part 1 [June 2013], Audio Engineering is an enjoyable technical and creative pursuit. It is dependent upon the engineer understanding the fundamentals. Signal Flow is one of the core fundamentals. Understanding and practicing these three stages of Signal Flow until committed to muscle memory is essential to the development...
Mixing Part 1
(Solid State Logic SL4064G+ 2010) The Mixing Process Background As outlined in my Pre-Production Plan (Page 2010) blog several months ago, lets return to the basics. It is the goal of the audio industry to facilitate to the realisation of recorded artefacts – recorded and then distributed in the mediums of shellac or vinyl records, magnetic tapes, compact...